These stories, drawn from real sessions conducted in-office, show you a practical use of the various tools of the Méthode Dolfino®, and you’re welcome to draw freely from them for inspiration.

I then invite her to locate this discomfort that seems to sit in her chest. After several suggestions on my part to symbolize the localized anguish, Françoise identifies it as a metal plate held in place by four hooks. The young woman’s skilled hand manages easily to release the fasteners and slide the plate out of the body through a painless incision, with immediate healing and no redness at all thanks to the time distortion put in place. The metal plate, once dealt with, gives way to a red metal grate that reveals a giant, dark cavity. Françoise decides to unscrew the grate and eject it through her mouth with a breath worthy of a hurricane.

Once the piece of metal has been expelled, Françoise returns to the edge of the immense cavity and states that she isn’t able to explore it, because everything is too dark. She clearly expresses her fear of venturing further and remains frozen at the edge of the cave. I then ask her whether someone or something could help her carry out an exploration. My sentence barely finished, she tells me that the dragon can support her. I immediately reply, in a knowing tone, “Oh yes, the dragon... wonderful...”

Reassured about the relevance of her suggestion, she brings the mythical animal before her and exclaims, in the voice of a young child, “Oh, it’s Anatole!” At my request, she describes Anatole as covered in gold scales, with a dazzling green ruff. His head is adorned with a magnificent silky, red mane. The dragon winks at her and breathes a brilliant fire toward the cave to light up the place without burning it. At this moment, Françoise marvels at the contents of the cavity. She describes works of art, paintings, sculptures, precious objects, extraordinary jewels, and other richly ornamented chests. This, in fact, is where Anatole lives. Tears run down Françoise’s cheeks as she says with conviction: “Anatole wanted me to know where he lives, because he knows that now he can trust me. He just wanted me to know... I’m so happy. I feel light.”

She agrees with Anatole, the dragon, that he can come and go as he pleases. He will always be there for her whenever she needs him, and she will make sure he always has food and drink in the cave, which she can visit whenever she wants to admire the works in this inner museum.

The return from trance is joyful and dynamic, and Françoise’s eyes shine with an intense glow. Her face shows satisfaction and serenity, and she affirms that a new life is beginning. It is important to let the guided person develop the representation of their inner world and to encourage them to do so, in order to enhance the transformations.